A virus infected all of the Earth’s animals, and they can’t be consumed anymore. Eating human flesh is legalized, and well-ordered, state-controlled cannibalism becomes the norm. Of course, we all now know that viruses can be used as an excuse for wide-scale societal modifications. In Agustina Bazterrica’s novel Tender Is the Flesh, the virus is a fiction created to advance a global depopulation program.
How does a society decide who is a human human and who is not so much and is fit to be eaten? What is a valuable life? And which lives can be sacrificed to the comforts of the more valuable ones? The premise of Bazterrica’s novel becomes less far-fetched when we remember that we have long accepted the volitional nature of the value of human life. If you don’t agree, I refer you to the recent legislation in Great Britain legalizing abortion at any stage of pregnancy. There is absolutely nothing different but the will of the mother between the babies who will be born and those who will be discarded. Bazterrica makes it very clear that she’s thinking about this analogy by placing the question of babies—which ones are treasured and why—at the heart of the novel.
This is a short book but it grapples with some of the most difficult questions of our times. Euthanasia, infertility, climate alarmism, fear of pandemics, hypocritical feminism. It’s a powerful novel but I can’t recommend it to anybody who doesn’t have a very strong stomach. I’ve felt nauseous for two days because the descriptions in the book are very graphic.
I discovered Bazterrica by pure chance at the bookstore yesterday. I didn’t expect much because a female Argentinean author in her fifties is, inevitably, very left-wing. The good news is that talent is stronger than the idiocy of even the most committed artist. And this is a talented book.
