If an incel groyper woman-hater decided to write a novel on how feminist theory turns women into crapbuckets of entitlement he couldn’t have provided a more humiliating portrayal of modern womanhood than a young feminist writer from Spain Lucía Solla Sobral. Her novel Comerás flores is a big bestseller among crowds of young female readers who praise the book for its “stunning and brave” depiction of how all men deserve to be #MeTooted into infinity.
Marina, the main character of the novel, is a 25-year-old woman who shares the greatest hope of most female characters in Spanish literature since the death of Franco which is to attach herself to a man who will treat her forever like a cute, endearing toddler. Marina wants a boyfriend who will provide her with designer clothes, a chic apartment, expensive vacations, fancy restaurant outings and who will respect her as an independent career woman even though she is utterly helpless and makes no money.
Young men who can offer a luxury lifestyle are thin on the ground in Spain, and Marina attaches herself to Jaime, a successful businessman and a single father of an adult daughter. At first, Jaime seems moderately enthusiastic about babying Marina but eventually she realizes that he’s abusing her. For example, he asks her to share the gigantic closet in his luxurious apartment with his adult daughter. That’s abuse, isn’t it? Jaime doesn’t remember Marina’s food fads and is not mega happy about her getting sloppy drunk with friends at 4 am and whoring around with other guys. He buys her an expensive bag from the designer she doesn’t like instead of guessing which designer she does like. Such an abusive prick! After 3 years together during which Jaime pays for everything and somehow manages to be supportive of Marina’s pretense at being a career woman, he expects marriage and family. This is the form of abuse that really tips over the scale.
Marina is shocked that years of reading Judith Butler and doing “feminist activism” didn’t prepare her to recognize such egregiously chauvinistic behavior. She finds courage to reclaim her independence while #MeTooting poor Jaime. As I’ve been saying since back in my doctoral dissertation, the main goal of women’s liberation for female characters in contemporary Spanish fiction is to be liberated from the need to grow up. Lucía Solla Sobral and her readers have once again proven me right.

