Ricardian: A Review of Elizabeth George’s "I, Richard"

Elizabeth George’s collection of short stories I, Richard hasn’t been received very well even by her hardcore fans. The reason for what I believe is an unfair rejection of this collection is the disappointing first story titled “Exposure.” If you decide to read I, Richard, I suggest you skip this story altogether and enjoy the rest of the collection.

Only the very last story, “I, Richard” belongs to the genre of Ricardian Apology. George wrote this story to make her Ricardian allegiances known to her fans. Of course, as a mystery writer, she couldn’t fail to structure this story as a modern-day murder mystery that is inspired by one of the character’s belief in Richard’s innocence.
George is different from many Ricardians in that she does not blame Henry Tudor for killing the young princes. This writer makes us question why we always assume that history was made by men. She allows a woman (of course, I will not spoil your reading pleasure by telling you her name) to become a protagonist of the story. Both the mystery of the princes’ murder and the modern-day mystery that frames them are based on the idea that dismissing female protagonism is a big mistake. George reminds us that women make history as much as men do. Those men who try to treat women as objects with no will of their own always end up paying a very high price for this delusion.

Ricardian: A Review of Josephine Tey’s The Daughter of Time

Most of my readers didn’t warm to my first Ricardian post. This is completely understandable since the subject of whether Richard III did, in fact, murder the princes Edward and Richard in the summer of 1483 is quite academic. I will keep indulging my love of Ricardian arcana from time to time, while you should feel free to skip posts tagged “Ricardian” if the subject bores you.

Josephine Tey created several classical British mysteries that any lover of the genre would appreciate. Few people know, however, of her contribution to Ricardian Apology. In The Daughter of Time, Tey offers us her take on the provenance of the myth that blames Richard III, the last Plantagenet king of England, for the murder of his nephews (the Princes in the Tower.)
Inspector Alan Grant finds himself stuck in a hospital, bored and desperate to participate in some sort of an investigation. While he is in a hospital bed, he only has access to history textbooks. The story of Richard III catches his eye and as he begins to read accounts of Richard’s “crimes”, Grant realizes just how senseless and lacking in logic all accusations against Richard are.
I might have believed Grant’s asseverations
that murderers don’t look like this
had I never seen pictures of Ted Bundy,
a wholesome-looking serial killer
The Inspector’s journey begins in a way that I didn’t find very convincing. Grant looks at the famous portrait of Richard III and realizes that a man who looks this way could not have possibly been a cold-blooded murderer of two small boys. This, of course, is very naive and smacks of Lombrosianism that had been discredited long before Tey wrote The Daughter of Time.
This, however, is the only weak point of an otherwise logical and reasonable account of the numerous holes in the myth of Richard’s guilt. Inspector Grant and a young researcher who helps him discover the truth soon realize that Richard III had absolutely no reason to kill his nephews. The boys had been declared illegitimate by an Act of Parliament and Richard III occupied the throne as a well-loved and legitimate King of England. Elizabeth Woodville, the boys’ mother, was friendly with Richard III until his death. Would she had visited his court and allowed her daughter to do so had Richard III, indeed, murdered her small sons? That seems highly unlikely. Moreover, after Henry Tudor defeated Richard III in the Battle of Bosworth Field, he never declared publicly that Richard had killed the boys or even that the boys were dead. He did, however, imprison the boys’ mother in a convent.
In the view of these facts, Grant arrives at a conclusion that the first Tudor king, Henry VII, was the only person with means, motive and opportunity to kill the Princes. Having absolutely no claim to the throne, he needed to destroy the Plantagenets so that nobody would dispute his rise to power. I need to tell you right now that not every Ricardian shares Tey’s belief in the culpability of Henry Tudor. There are many other suspects, and you can make up your own mind as to which one is the likeliest murderer. I will keep bringing you these accounts on a regular basis.