With all of the incessant moaning that female characters don’t appear that much in Hollywood movies, nobody ever mentions that about 80% of grown-up fiction that is published is written for women and about women. And what requires more leisure, watching a movie or reading a book?
I’m not talking about works of art right now but about reading people do for entertainment. And who are these people, almost always? Women, of course. How many men you know between the ages of 25 and 65 who are not philologists and who read fiction on a regular basis? I don’t know a single one.
Women’s fiction exists in order to allow women imaginatively to explore potentially traumatic situations and elaborate strategies of behavior. It has a multitude of subgenres, and you can choose which ones respond to your anxieties. There are mega-bestselling authors that specialize in each subgenre, and you know exactly where to go to find relevant books. For instance, there are such subgenres as “what to do if my child goes bad?” (Jodi Picoult*), “what if my mother is a vicious bitch?” (Elizabeth Strout**), etc.
Women get together in book clubs that serve as amateur group therapy and use these books to find solidarity and solutions. These books cross class boundaries and unite women of all backgrounds. I have discussed Gillian Flynn and Jodi Picoult with 60-year-old professors and 25- year-old supermarket cashiers. This is a vibrant, complex subculture that nobody talks about, preferring, instead, to concentrate on the issue of screen time actresses get.
B.A. Paris is a newcomer to women’s fiction***. Her first book Behind Closed Doors belongs to the subgenre of “what if I’m trapped in a bad marriage?” This is one of the most popular subgenres that generates a hefty number of bestsellers every year.
Paris’s book explores the more nightmarish version of a bad marriage and is destined to be a bestseller. Most women, of course, are not locked in a room all day long, like this author’s protagonist is. But this plot line is so popular and can be found in so many books that it becomes clear how widespread the feeling of being trapped or confined is among women.
I could say a lot more but I know people hate long posts. Just this one thing: the fixation on movie screen time is intrinsically sexist because it arises from the belief that the form of entertainment that attracts men is superior to that which attracts women.
* Picoult specializes in teenage children going bad. For the subgenres of “what if my newborn goes bad?” or “what if my toddler goes bad?” you need to go someplace else. There is a bestseller that is being widely read right now in the bad newborn genre, for instance. Even Doris Lessing contributed to it back in the day.
** Strout writes real literature, though. She’s immensely talented. I recommend even to those who have no problem with their mother.
*** Pretty much all fiction is women’s fiction but we are not aware of that because the narrative of “pathetic, victimized women” always defeats the narrative of “smart, resourceful women.”