One added indignity of the translation project I had to undertake to honor my late father’s request is that the novel I’m translating has a lot of poetry by the poets from the Silver Age of Russian poetry. These are great poets but most of them have not been translated. So I have to provide the translations. The very last thing I want to be doing is translating any poetry and especially the Russian kind. But duty calls. Here is my rendition of a poem by Vyacheslav Ivanov.
First, the original:
ŠŠ¾Š¶ŠµŃ бŃŃŃ, ŃŃŠ¾ ŃŠ¼ŃŃŠ½Š¾Šµ Š²ŃŠµŠ¼Ń
ŠŃŠøŃŠ°ŠµŃ ŃŠ°ŃŠæŃŃŠ½Š¾Šµ племŃ;
ŠŠ¾Š¶ŠµŃ бŃŃŃ, ŃŃŠø Š»ŃŃŃŠµ Гни ā
Š§ŠµŠ»Š¾Š²ŠµŃŠ½ŠµŠ¹ ŠæŃŠµŠ“ ŠŠ¾Š³Š¾Š¼ они,
Чем Š±Ńлое Ń ŠµŠ³Š¾ Š±Š»Š°Š³Š¾ŃŠøŠ½Š½Š¾Š¹
Š Š½ŠµŃŠµŃŃŃŃ, Šø Š·Š»Š¾Š±Ń Š»ŠøŃŠøŠ½Š¾Š¹.
And here is my translation:
It might be that this tragic time
Is cleansing our perverted tribe.
Maybe the cruel days we see
Will more humane and godly be
Than our past that was so fake
And lacking honor like a snake.
I’m substituting the “ch” alliteration in the Russian version with the “k” alliteration in English because it has a similar effect.
And here is my translation of a poem by Natalia Krandiyevskaya.
The original:
ДвиГание наеГине
ŠŠ°Š·Š½Š°ŃŠøŠ» Šø мне команГоŃ.
ŠŠ½ в полноŃŃ ŃŃŃŃŠøŃŃŃ ŠŗŠ¾ мне,
РвŃ
оГиŃ, Šø ŃŠ¼Š¾ŃŃŠøŃ в ŃŠæŠ¾Ń.
ŠŠ¾ ŃŃŃŠ°Š½Š½Ńй на ŃŠµŃŠ“ŃŠµ покой.
Š¢ŃŠø палŃŃŠ° ŃŠ»Š¾Š¶ŠøŠ»Š° Ń Š² гоŃŃŃŃ.
РазжаŃŃ ŠøŃ
железной ŃŃŠŗŠ¾Š¹
ŠŠ¾ŠæŃŠ¾Š±ŃŠ¹, мой ŠŠ°Š¼ŠµŠ½Š½Ńй ŠŠ¾ŃŃŃ.
And the translation:
All alone
wanted to see me the Commendatore.
Itās midnight, and heās knocking on my door,
He comes and looks me in the eye.
But I stay calm and I wonāt cry.
I prepared my fingers for the sign of the Cross.
My implacable Stone Guest
tried to unclench them and lost.
To me, preserving the rhyme is more important than anything else. I’m a poetry philistine, and to me it’s not a poem if it doesn’t rhyme.
But Lord have mercy, what extraordinarily weird things does one find oneself doing our of grief.