Miranda July (the author of All Fours) is more artistically gifted than Moa Herngren (the author of The Divorce). Still, if you are in the mood for a novel about the midlife crisis, I’d recommend Herngren.

For one, The Divorce gives space to both female and male experience of being in their early fifties. Herngren decided not to follow the fashionable trend of turning male characters into props who sit around waiting, supportively and silently, while their wives thrash around menopausally, destroying everything in sight. Herngren’s depiction of the male middle-aged life weariness is nuanced, kind, and very realistic.

Another reason is that Herngren’s characters aren’t rich, clueless bastards. These are regular people who struggle to pay the mortgage and worry about money. Most people can’t just drop everything and start bed-hopping around the country when middle age hits because nobody is rich enough for that. Herngren writes about normal, everyday people, and that makes the book a lot more useful. Middle age is difficult, and The Divorce reads like a handbook of what can go wrong and how to prevent it.

Of course, if All Fours were a literary masterpiece, none of this would matter. But it’s not. There’s talent there but not remotely enough to justify choosing this novel over The Divorce.

I recommend The Divorce very highly, even though the author piles it on way too thick to make her characters as representative of their type as possible. Besides, I’m eager to discuss it, so if you’ve read it or are planning to read, please make yourself known.