Ricardian: A Review of Josephine Tey’s The Daughter of Time

Most of my readers didn’t warm to my first Ricardian post. This is completely understandable since the subject of whether Richard III did, in fact, murder the princes Edward and Richard in the summer of 1483 is quite academic. I will keep indulging my love of Ricardian arcana from time to time, while you should feel free to skip posts tagged “Ricardian” if the subject bores you.

Josephine Tey created several classical British mysteries that any lover of the genre would appreciate. Few people know, however, of her contribution to Ricardian Apology. In The Daughter of Time, Tey offers us her take on the provenance of the myth that blames Richard III, the last Plantagenet king of England, for the murder of his nephews (the Princes in the Tower.)
Inspector Alan Grant finds himself stuck in a hospital, bored and desperate to participate in some sort of an investigation. While he is in a hospital bed, he only has access to history textbooks. The story of Richard III catches his eye and as he begins to read accounts of Richard’s “crimes”, Grant realizes just how senseless and lacking in logic all accusations against Richard are.
I might have believed Grant’s asseverations
that murderers don’t look like this
had I never seen pictures of Ted Bundy,
a wholesome-looking serial killer
The Inspector’s journey begins in a way that I didn’t find very convincing. Grant looks at the famous portrait of Richard III and realizes that a man who looks this way could not have possibly been a cold-blooded murderer of two small boys. This, of course, is very naive and smacks of Lombrosianism that had been discredited long before Tey wrote The Daughter of Time.
This, however, is the only weak point of an otherwise logical and reasonable account of the numerous holes in the myth of Richard’s guilt. Inspector Grant and a young researcher who helps him discover the truth soon realize that Richard III had absolutely no reason to kill his nephews. The boys had been declared illegitimate by an Act of Parliament and Richard III occupied the throne as a well-loved and legitimate King of England. Elizabeth Woodville, the boys’ mother, was friendly with Richard III until his death. Would she had visited his court and allowed her daughter to do so had Richard III, indeed, murdered her small sons? That seems highly unlikely. Moreover, after Henry Tudor defeated Richard III in the Battle of Bosworth Field, he never declared publicly that Richard had killed the boys or even that the boys were dead. He did, however, imprison the boys’ mother in a convent.
In the view of these facts, Grant arrives at a conclusion that the first Tudor king, Henry VII, was the only person with means, motive and opportunity to kill the Princes. Having absolutely no claim to the throne, he needed to destroy the Plantagenets so that nobody would dispute his rise to power. I need to tell you right now that not every Ricardian shares Tey’s belief in the culpability of Henry Tudor. There are many other suspects, and you can make up your own mind as to which one is the likeliest murderer. I will keep bringing you these accounts on a regular basis.

>Argentinean "Intellectuals" Against Vargas Llosa

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What I find confusing is the use of the word “intellectuals” in this piece of news:

 Intellectuals close to President Cristina Kirchner launched a campaign Tuesday to stop Mario Vargas Llosa from opening the Spanish-speaking world’s largest cultural fair because of his disparaging remarks about Argentine politics. . . Peru’s Vargas Llosa, winner of the 2010 Nobel prize for literature, has been invited to inaugurate in mid-April the International Book Fair in Buenos Aires, which UNESCO expects to be attended by more than one million people. The intellectuals are angered over Vargas Llosa’s statements on Argentine politics and personal attacks against Kirchner. In a recent interview with the Italian daily Corriere della Sera, the writer, who is an outspoken proponent of free markets and liberal democracy, described Kirchner as “a total disaster.” “Argentina is going through the worst form of Peronism, populism and anarchy. I fear that it is an incurable country,” he told the newspaper.

Since when do the “intellectuals” ally themselves with politicians who are in power in order to hound a writer for expressing his views? Vargas Llosa does, in fact, have a tendency to espouse unintelligent political beliefs. In this, he is no different from many other writers who make fools of themselves by becoming mouthpieces of barbaric regimes. (Juan Goytisolo immediately comes to mind.) 
Still, no true intellectual would even think of defending some dime-a-dozen politico at the expense of one of the greatest writers of the XXth century. Historically, nothing could be more insignificant than the antics of the Kirchner couple. Vargas Llosa’s contribution to the artistic legacy of humanity will remain long after everybody forgets who the Kirchners were. Argentinean “intellectuals” just made themselves look very stupid here.