I just finished Those Who Leave and Those Who Stay, the third book in Elena Ferrante’s Neapolitan series.
Here is what I find hilarious. The novels are a primer in feminist theory, and more specifically, the radical wing of feminism. If I needed to teach a course on feminist theory, I’d ditch all the readings and just use these novels because all the theory is right there and in a very accessible form, too.
The really funny part is that the novels are international bestsellers. I constantly see very conservative male bloggers who worship Ron Paul and even Reagan praise the novels to the skies. It was actually because of one such blogger that I started reading Ferrante. It’s clear to me that such people are not aware where the ideology that informs Ferrante’s work originates.
This is priceless, people. Half a planet devours these novels without even realizing that everything they are enjoying so much has already been said many times over by the vilified and “scary” radical feminists. And hey, it’s not like the writer tries to sneak these ideas by the readers. The first-person narrator states very clearly that she reads rad fem literature and is inspired by it to write her own rad fem analysis. There is even a very 21-century discussion of transgenderism placed in 1970s (obviously, without the word “transgenderism”) and conducted in terms that could appear verbatim on any of today’s rad fem sites.
There are two conclusions that can be drawn here:
1. Art has the power to make people swallow anything.
2. People are a lot more receptive to rad fem ideas than they are aware of. The bad rap the rad fem movement has is owed to the clumsiness of its founders and the defeatism of today’s followers.
P.S. Read the novels! They are great. You will thank me and yourself for the decision to read them.