Do Academics Defend Pedophiles?

We, the academics, are a source of all ills. Whenever anything goes wrong in our society, blame those commie pinko hippie feminist postmodern Baudrillard-reading Kristeva-quoting frappuccino-chugging enemies of humanity.

Not only do we pollute the minds of our impressionable adult students, we also pervert little kids. How do we manage to do this if there are no little kids on campuses? By spreading vicious pedophilic propaganda through our research, of course. Don’t you know that “research” is a horribly dangerous thing that undermines the things our society holds most sacred? Aren’t these vile academics the same people who brought us this completely invented evolution theory? And after you defend evolution, the next step is logically to promote pedophilia.

Anne Hendershott heard that some academic somewhere said (we don’t even know in which context) that “childhood innocence” is a fantasy. Another academic uttered a very boring platitude that “a child of seven may have built an elaborate set of sexual understandings and codes which would baffle many adults.” Hendershott must be the only person in the world unaware of the well-known fact that children of seven are hypersexual and that this biological reality in no way excuses pedophiles. She immediately fired off an angry article about horrible academics plotting to pervert little kids.

The article is, of course, just standard academia-bashing. We all know how much I detest pedophiles. Still, one could easily pluck some quotes out of my own doctoral dissertation to make me look like a huge pedophile. I also discuss in my classes that childhood is a socially constructed phenomenon of very recent origins. Academics study a variety of subjects that tend to shock when recounted in the language of a tabloid. However, the idea that academics infiltrate the university presses to spread their propaganda in books that maybe 20 people will get to read (and that’s wildly optimistic) is kind of silly. The greatest propaganda of pedophilia is how famous actors kiss Polanski’s ass in public.

Hendershott isn’t interested in that at all, though. An attentive reader will soon realize that pedophiles are not the greatest aim of her rage. The article is filed under the tags “homosexuality, pedophilia.” In the middle of the article we see the following advertisement:

Given that most instances of child abuse are perpetrated within a child’s own family, this exhortation tells us that Hendershott doesn’t give a rat’s ass about abused children. She simply wants to attack the two groups she hates the most: academics and gays. Then, of course, there are gay academics, which is a reality that, I’m sure, Hendershott finds very traumatic. She cannot confess that because in the academic environment homophobia makes you a pariah. This is why she masks her hatred of gays behind a completely spurious concern about non-existing movement of academic defenders of pedophilia.

I will now let you guess who is to blame, according to the very stupid, nasty, homophobic Hendershott, for the (again, completely spurious) tolerance for women who pervert little girls? Right you are, feminists!

I have to ask, why does King’s College in New York employ this vicious freakazoid?

Am I A Writer?

Báyron of the great Ethecofem blog asks:

Wait a minute, does this mean I count as a writer if I keep a blog?

If you are asking yourself the same question, here is what you need to consider:

– Do you write?

– Do you spend a significant portion of your time writing?

– Do you have readers?

– Are you a reader?

– Is writing an important part of your identity?

If the answer is yes, then you are a writer. And the reason why you have trouble seeing yourself as a writer might be that you have an erroneous image of what a writer is like. (See here and here for more on this subject).

A Writer’s Mentality

You always know a writer when you meet one. Irrespective of whether they have published anything, people with a writer’s mentality share one extremely annoying characteristic: they can only talk about their writing. No matter what topic you try to broach with them, it always comes back to their writing.

“The weather is really beautiful today,” you mention to a writer.

“Yes,” she responds. “This makes me think of a description of springtime from a short story I wrote in 1992. Let me read it to you.”

“My boss is not happy with my performance,” you share with a writer. “This is very stressful to me. What if I get fired?”

“Hardship is an inescapable part of life,” he says. “My most recent novel has been rejected by 17 publishing houses. Let me read you a letter I received from one of them and you’ll tell me what you think.”

“My husband and I had a huge fight,” you complain. “I’m thinking we might need couples’ therapy.”

“I offered some interesting insights into challenges people encounter in their romantic life in my 2010 trilogy. Have you read it? Can I ask you to review it on Amazon?”

I almost turned into this person (“Yes, as I said last week on my blog. . .”) but I stopped myself in time. I don’t want people I know to have nervous breakdowns when they hear the word “blog.”

2011 Annual Report

If people are interested in seeing the Annual Report for the time that this blog has been on WordPress (starting from May 18, 2011), it can be located here.

One thing they fail to mention is that this blog’s most popular month was October of 2011. I have no explanation for this.

Why I Love Doing Midpoint Tenure Review

The time of reckoning has come for me, people. I have been on my tenure-track for 2,5 years, which means that the moment has arrived when I have to fill this humongous binder with papers documenting my every teaching, research and service-related sneeze.

Of course, I whine, complain, and tell everybody how stressed out I am by this process and how the need to write statements in the language that bureaucrats will be able to process annoys me. To be completely honest, though, I really dig the midpoint tenure review.

For one, just the mere chance of getting tenure is something very precious and extremely rare nowadays. Some of the schools that accept people into tenure-track positions don’t really do it in good faith. Their goal is not to ensure that new Assistant Professors get tenure and promotion at the end of the 6-year-long track but, rather, to find reasons to deny tenure to people who busted their asses in hopes of tenure.

My university is not like this at all. Everybody is extremely supportive of my tenure goals at every level of administration. As I’m gathering my documents and writing my narratives, I have many chances to be reminded of how great, helpful and encouraging my colleagues are. Everybody seems to be passionately invested into seeing me succeed, for some reason. And that makes me feel important, respected, and appreciated.

The midpoint review is also a great self-esteem booster. Academics often suffer from lack of feedback on their efforts. You work extremely hard to create an article but then rarely hear anything about it after it gets published. Student evaluations only happen once every semester. The same goes for peer evaluations. As a result, academics often feel lonely and disconnected. They begin to doubt whether what they do has any value.

As one is gathering the mountain of documents needed for the midpoint review, however, one gets a chance to look at all of the publications, conference talks, accolades, grants, letters of support, evaluations, reviews, compliments, etc. that one has accumulated.

“Wow, all of this in just 2,5 years?” one thinks. “I kind of totally rule.”

And that’s a very good feeling.

Profiling

Blogger Danny (whose great blog Danny’s Corner I highly recommend) asked his readers to consider the following scenarios and share their thoughts:

1. You park your car and get out to go inside a mall. As you look up from locking and closing your door you see an Native American man walk by who makes direct eye contact with you. You double check to make sure your car door is locked.

2. Walking down the street one night you see a Jewish man coming from the opposite direction. Just before making contact you suddenly cross the street.

3. Waiting for an elevator you see that no one else is around…except for the Mexican man that comes from around the corner. You hope that he is not also looking to take the elevator.

This is what I responded:

As long as the three behaviors you listed are matters of personal choice and do not move to the realm of social policy, I see no problem with them. If I have, say, a completely irrational dislike of people in red hats and don’t want to take the elevator with them, that’s my right. Now, if I became governor and started legislating on the basis of my personal irrational fears, that would be wrong. But my right to suspect anybody of anything on any basis and not get into elevators with absolutely anybody I choose is inalienable.

I have a feeling that Danny wants to talk about the different ways in which we construct gender as opposed to race. That is an important discussion and I urge everybody to contribute to it on Danny’s blog. I, however, want to talk about the specific scenarios Danny listed, so I brought them here.

We all profile in our daily existences. I would never invite a person who has a loud laugh or a voice I find unpleasant into my house. I’m autistic, loud laughter drives me up a wall. If said person with a laughter doesn’t want to have autistics in her house, I recognize her right to do so, and would not mind not being invited. I also make efforts to avoid the company of my compatriots. I know I will not have a good time around them, so I try to stay away from their gatherings. When I was single, I refused to meet blond men. I don’t find blond men attractive, which is why I never even considered them as a possibility.

Of course, if anybody tried to transform these very personal idiosyncrasies into collective policy, I would be the first one to protest.

So what do you, folks, think about these 3 scenarios and the issue of profiling?

Haruki Murakami’s 1Q84: A Review

I never thought I could enjoy a fantasy novel. I also doubted that I needed to read another book by Murakami. He is not among my favorite authors. I find him far too desperate to sell himself to Western readers for my taste. In this respect, he reminds me of Garcia Marquez whose novels were always about exoticizing and cutesefying Colombia as much as possible in search of global popularity and massive sales.

The main reason why I pre-ordered Murakami’s 1Q84, I have to confess, was its length. If a book runs to almost 1,000 pages, I absolutely need to have it. It’s a compulsion I cannot resist. I didn’t have any great expectations for the novel which is why I was really shocked by how much I enjoyed it.

Murakami still cannot keep his exaggerated desire to be relevant to his Western readers in check. Among all of the literary references in the novel (some of which are quite lengthy), there is a single Japanese one. Other than that one work of Japanese literature, the characters read Chekhov, Proust, Orwell, Dostoevsky, etc. The novel is filled with explanations of the “In Japan, banks work this way” and “Japanese police officers do this and that” variety that are, obviously, of no use to Japanese readers and that sound very strange in the mouth of a Japanese character talking to her friend. For instance, can you imagine regaling your childhood buddy with the information that, “In the US, we use ATMs to withdraw money”? Still, there is a lot less of this in 1Q84 than there is, for example, in Norwegian Wood.

The fantasy aspect of the novel did not annoy me in the least. The reason why I didn’t mind it in 1Q84 when I mind it everywhere else to a degree that borders on paranoid is that fantasy in this novel does not exist for its own sake. The Little People and the air chrysalises play a very limited role of highlighting how empty, emotionally barren and castrated the lives of all of the characters are.

The characters of Murakami’s novel are so completely lonely, miserable and emotionally stunted that the only two of them who had a single moment of actual human contact when they held hands at the age of ten are the truly privileged ones. The rest do not even have that.

The Japan Murakami brings to us in 1Q84 is a place where people are so profoundly alienated that any one of them can drop off the face of the earth at any moment and nobody will even notice. And the scariest thing is that none of them seems to be even remotely conscious that there is something abnormal in living in a complete emotional and relational vacuum. By page 250, you get so desperate reading about the robotic existences of these characters that the irruption of fantastic elements feels entirely welcome. The mysterious evil Little People pose enough of a threat to propel the apathetic protagonists of the novel into some sort of reevaluation of their bereft existences.

Murakami’s trademark machismo is absent from this book. His tendency to resolve all of the conflicts and terminate all of the plot lines by getting the characters to kill themselves is almost gone, too, which is very refreshing. In this novel, Murakami has dramatically improved his not inconsiderable strengths while eliminating most of his weaknesses.

I have no knowledge of Japan that would enable me to judge whether there is some kind of a social reality behind the terrifying alienation described in 1Q84. What I can say, however, is that Murakami has definitely outdone himself in this novel. It is incomparably better than his previous work and I highly recommend it. If you never read Murakami before, start with this novel. It will take you forever to read it, but it will be a very enjoyable forever.

Womanly Women and Manly Men

The beauty of Internet is that a couple of ill-advised clicks can transport you into a completely different universe. This is how I stumbled on an article that discusses Hollywood’s loss of popularity by a passionate character called John Nolte.  Instead of discussing Hollywood’s ills, the article’s author engages in a very entertaining public fit of hysteria about actors who do not conform to traditional gender expectations:

We The People love Sandra, Will, and Denzel for a reason. She’s gorgeous, smart, womanly, classy and approachable, and the fellas are masculine, confident, classy, and non-neurotics who take charge. They also make films that deliver. Not all the time. But most of the time we the customers know that if they’re in it, there’s a better chance than not of bang for the buck.

What they are not and what no movie star has ever been is a child playing a grownup (the exception, of course, is comedians like Adam Sandler or Lou Costello). The Orlando Blooms will never be movie stars. Neither will the Michelle Williamses. And don’t get me started on Shia Le-what’s-his-name.

Look at your history, both recent and long past. Hollywood may have changed over the last few decades, but the people — the customers — have not. The human animal simply doesn’t evolve that quickly. Furthermore, stars shouldn’t represent who we are; we don’t want to see ourselves on the screen. Stars should represent who we want to be. Men want to be John Wayne and Robert Mitchum. Women want to Ava Gardner and Barbara Stanwyck.

Masculine men.

Womanly women.

Who knows why in the strange imaginary life of this rant’s author Sandra Bullock, whose only more or less memorable role was precisely one of a “manly woman”, has transformed into a paragon of femininity.

What I wanted to draw your attention to, instead, is the italicized confession John Nolte makes in this piece. His hysteria over the bad, horrible Hollywood stars who do not fulfill the traditional

Will Smith, Nolte's favorite manly man, actually looks great as a woman.

gender expectations is driven by a realization that he himself does not measure up. He tells us very clearly that he is not one of those masculine men, which is precisely why he wants to see them on a screen as often as possible. If he could see one in a mirror on a regular basis, he wouldn’t be bothered by not encountering him in a movie theater.

And it’s always like this, people. The greatest partisans of strict gender roles, the worshipers of womanly womanhood and manly manhood are so obsessed with gender for the simple reason that they feel they never can catch up with this elusive, non-existent category. If only somebody were kind enough to tell them that manliness and womanliness are highly subjective, that they mean entirely different things to different people, that searching for the gold standard of gender in real life is futile. Maybe then they would be able to go to the movies and simply enjoy a film.

Keep reading the article. There is a hilarious discussion of how commie-pinko-unpatriotic-anti-American Hollywood actors “insult” the profoundly conservative American audiences with their partisan movies. And then read the comments because, seriously, it’s a glimpse into a different world. There are folks who actually say that Hollywood actors “hate the troops.” Priceless.

Thomas Frank’s Pity the Billionaire: A Review, Part II

In his analysis of the housing market’s crash of 2008, Frank keeps discussing the irresponsible lenders and traders who caused the crash. He is absolutely right in that their actions deserve to be investigated and condemned. However, Frank avoids the discussion of the other side of the equation, namely, the irresponsible borrowers. Unless we recognize that the Tea Partiers express a legitimate grievance of many against those who borrowed huge amounts of money they had no hope of repaying, there will be no opportunity to address the economic and political situation in this country in any productive way. When a very well-paid professional whose job it is to analyze finance drives himself into bankruptcy by irresponsible borrowing just because he needed to feel “gangsta”, can we really condemn those who work hard and try to live debt-free for feeling outraged?

The irresponsible lending goes on. In my neighborhood it definitely does and it horrifies me to imagine into what fresh round of drama this will lead us. But my neighborhood bank would not have been able to hand out the record number of zero-downpayment mortgages last month, had there not been people willing to snap up these loans. “The Bad Neighbor Doctrine” of the Tea Partiers that Frank condemns makes a lot of sense to me, a passionate Liberal.

If anything, Frank’s Pity the Billionaire made me feel an unexpected affinity with the Tea Partiers. He works hard to refute any accusation of racism and religious fanaticism that might be directed at the Tea Party. According to Frank, a regular Tea Partier is an educated, polite, blog-reading and blog-writing fan of Ayn Rand who believes that small businesses are the backbone of the economy and who deeply respects the entrepreneurial spirit of the Americans. Does this description remind you of anybody? Right you are, Frank’s typical Tea Partier is . . . me. There has got to be something wrong with the kind of analysis that does not distinguish between ultra-Liberal Progressives like myself and the followers of Glenn Beck.

The part of the book that I found the most disturbing is Frank’s profound and inexplicable hatred of small-business owners. According to Frank, they are so bogged down in their puny little concerns that the larger picture always eludes them. Small-business owners, Frank suggests, contribute nothing of value to the economy while, politically, they represent very regressive forces for the simple reason that they are too stupid to understand any complex phenomenon.

I am one of those ignoramuses who believe that small businesses (and, of course, small business loans) are, indeed, crucial to any healthy economy. What’s more, my barbarity is such that I see the American entrepreneurial spirit as not only unique but also profoundly admirable. Probably this is why I didn’t like Thomas Frank’s new book at all.

A Very Good Commercial From Ron Paul

As we all know, I dislike Ron Paul because he is being endorsed by religious fanatics left and right for his woman-hating ideas. However, his campaign has created a really cool commercial. Note the Agitprop motifs. This makes me wonder what political movement the actual creators of the commercial represent: