An article appeared in the NYTimes about Ana Iris Simón’s novel Feria. Does anybody still subscribe and can send me the text? It’s for my research.
Thank you!
Opinions, art, debate
An article appeared in the NYTimes about Ana Iris Simón’s novel Feria. Does anybody still subscribe and can send me the text? It’s for my research.
Thank you!
Here’s a link to the text in my GDocs: https://docs.google.com/document/d/1N-WM0_3CATiShZvWk5-u-veHtTpVIyLrpxhKtPXwYSc/edit?usp=sharing
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Thank you! It’s requiring a permission, and I sent you a request.
Or just copy-paste it into a comment, if you could. Thank you, I’m very grateful!
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Tried the copy-paste first. Gave a WP error. Link should work now, I responded to the request & I made it public.
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I downloaded it!!!! Thank you so much!!!
If they have anything you want me to post about, just let me know.
You are a wonderful person.
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Great, I’ll take it down now.
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The page is archived here: https://archive.vn/t5jIX
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Thank you! I deeply appreciate the help.
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For the record you can always paste the url into archive.org and read it that way. That’s how I’ve been reading NYT articles for the past few years (on the rare occasion I feel inclined to.)
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Thank you, I had no idea!
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Also, you can always call your publuc library and have them e-mail you a full text copy with citation (APA, MLA, Turabian, you name it).
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” about Ana Iris Simón’s novel Feria”
The article is pretty weird (and crappy journalism). How accurately does it reflect the reaction to her work in Spain? Her attitude towards her supporters and critics?
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In Spain, the wokesters rabidly attack the book as fascism, Nazism, the usual. The mainstream, however, (and in Spain these are two different things) has mounted a resistance. It’s somewhat timid but there is a general feeling that the wokesters have gone too far.
This is why I’m trying so hard to be the first US scholar to publish about this book. Once you get something out, you can define the conversation. After this article and a couple more, I’ll write a book about the new conservative, anti-globalist literature in Spain.
I already did it with crisis literature. There was a big push to declare that the crisis literature was a publishing phenomenon to distract everybody from the all important subject of the Spanish Civil War. That it’s not a real thing, and that there is no crisis to speak of. I’m proud to say that I made that impossible and now “crisis literature” is a widely accepted term.
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