How does a childless marriage remain a marriage? What makes and unmakes it? These are the questions Rock Paper Scissors ponders under the guise of a mystery novel. The mystery is great but the way the novel traces a collapse of a childless marriage is even more fascinating.
What I find particularly interesting is that the husband removes himself completely from the management of his own emotional life. He’s a ragdoll that active, pushy women shuffle from bed to bed. He’s a very successful man, earning a great living but he’s completely absent from any decision-making capacity in the emotional realm of his existence. As we have seen in our discussion of novels by Anthony Trollope, this isn’t “just how men are.” This is how men and women have become but by no means is this a baseline.
It’s particularly curious that the women who push around the successful husband don’t amount to much by themselves. Childless, sociophobic, petty, with nothing going on professionally and socially, they turn the marriage into both their child and job with the inevitable result that the marriage withers from being overly tended to.
The husband in Rock Paper Scissors suffers from an extreme case of face blindness. He can’t recognize his own wife and is completely dependent on her to tell him the names of any people he interacts with. Prosopagnosia is, of course, a metaphor for his utter helplessness in the social realm. What gave rise to our widely held belief that women need to manage the emotional side of relationships is a fascinating question, and Feeney’s novel shows how ugly the results of this phenomenon are.