The best performance of The Good Man from Szechwan I have seen was in Havana. The actors, the director, and everybody in the audience of the small experimental theater that staged the play except me were Afro-Cuban. And the play wasn’t censored. Even in the Communist Cuba it was allowed to run for months! Cuba is very proud of its Chinese-Cuban legacy, by the way. Maybe not the official Cuba but the Cuba of regular folks.
It saddens me to say that there is more artistic freedom in goshdarn Cuba of Fidel Castro (this was back in 1999.)